英皇ABRSM
Test 6D
Romantic浪漫主义
Texture织体
1.Single bass note on downbeat followed by two chords,
单一低音强拍，接下来是两个和弦
2.Louder phrase started in octaves, quieter phrases started with
chords,
以八度音阶开始的响亮的乐句，以和弦开始的轻的乐句
3.Melody with accompaniment texture in two parts,
两个部分中，伴奏织体的旋律
4.Melody with chordal accompaniment
有和弦伴奏的旋律
5.Arpeggics at beginning followed by melody with chordal
accompaniment
琶音开头，接着是有和弦伴奏的旋律
Structure 结构
1.Two equal length/ each 8 bars
两个长度相等，每个有8小节
2.Short introduction followed by two phrases
简短介绍，紧接着两个乐句
3.Three，first and last share some of the same material /ABA/major-
minor-major
三部分，第一部分和最后一部分有一些相同的元素ABA式，大调
-小调-大调
4.The opening section introduction
Character 特征
1.Lilting waltz-like triple meter, regular repeating accompaniment
lively tempo, animated, dance-like,
像华尔兹一样的轻快的三拍，重复的伴奏，活泼的速度，活泼的，像跳舞一样的
2.Smooth repeating/ostinato accompaniment, cantabile/floating
melody with flexible rhythm, quiet dynamic, calm, restful
连续的重复，固定音型伴奏，节奏灵活的如歌的/流动的旋律，轻的，安静的，给人休息的
3.Song-like melody, regular phrase lengths, slow tempo and
breathing spaces between phrases, major-minor alternations, serious, gentle
像唱歌一样的旋律，长度有规律的乐句，慢速，乐句之间的停顿，大调小调的转换，严肃的，轻柔的
Style and Period 风格与时期
1.Rich (sometimes unexpected) chromatic harmony,
irregular/asymmetrical phrases, waltz-style melody and accompaniment texture, use of sustaining pedal
丰富的（有时出乎意料的）半音和声，不规则，不对称的乐句，华尔兹风格的旋律和伴奏织体，使用延音踏板
2.Dramatic/bold contrasts of dynamics/texture/sonority
animated/fast waltz-like rhythm, use of sustaining pedal.
戏剧性的/大胆的** 织体、响亮程度的反差，活泼的，快的，华尔兹式韵律，使用延音踏板
3.Colourful/pentatonic harmony, use of sustaining pedal/sonority,
flexible rhythm, lack of dissonance, Impressionistic，some Romantic features,
多彩的/五音音阶的和声，使用延音踏板/响亮程度，灵活的韵律，没有不和谐音，印象派的，一些浪漫主义的特征
4.Warm chordal texture, use of chromatic notes/harmoies，lyrical
melody，abrupt change to minor key
4 chords温暖的和弦织体，使用半音/和声抒情诗调的旋律突变为小调
5.Lyrical/cantabile melody, chromaticisim, rich sonority and use of
sustaining pedal
抒情诗调的/如歌的旋律富有半音音阶的，响亮度变化吩咐的，使用延音踏板
Dynamicis 力度
1.Sudden change from very loud to much quieter in each half of the
piece 在曲子中部从非常响亮突变为非常安静，
Tonality 调
1.Alternates between minor and major
在小调和大调之间转换
2.Brief section in minor key towards the middle, then return to major
key从开始到中间是小调，后面变回大调
Baroque：
Texture
1.Chordal passages alternate with phrases in octaves
和弦过渡到八度音阶
2.Contrapuntal/imitative/two-part/polyphonic
对位/ /两部分/复音
3.Mostly two-part texture, occasional chords,
大多是两部分织体，偶尔有和弦
Tonality调
1.Ends with a major chord, but elsewhere often dissonant, tonality
unclear
以大调结尾，但其他地方不和谐的，调不明确
Character特征
1.Loud, harmonic clashes, abrupt changes between two ideas,
repeating rhythms, angry forceful
响亮，不太好听的和弦，
重复的韵律，生气的力度
2.Flowing tempo, major key, uniform loud dynamic, crisp articulation,
fanfare-like chords, joyful spirited
流畅的速度，大调，均衡响亮的力度，清脆的
喇叭样的和弦，愉悦的精神
3.Flowing scalic runs, clear and contrasted articulations, major key,
use of imitation, energetic, playful
清楚的，对比明显的断连，大调，使用模仿，有活力的，好玩的
Style and period风格和时期
1.Clashing harmonies, lack of defined key/ modal, use of accents,
uneven phrase lengths
断裂的和声，缺少定义键/模式，使用重音，乐句长度不规则
2.Use of imitation, simple harmony, clear articulation and texture,
ornamentation, use of a limited range of the keyboard suggests it was written for harpsichord
使用模仿，简单的和声，清楚的断连和织体，装饰音，使用有限区域的键盘表明曲子是为羽管键琴
3.Imitative two-part texture, crisp articulation, limited dynamic and
pitch range, regular phrase lengths, ornamentation
模仿两段织体，清脆的断连，有限的力度和音高范围，规则的乐句长度，装饰音
Articulation
断还是连
1.Mixture of staccato and legato, but mostly detached
断连混合，但大部分是断
2.Scales legato, elsewhere mainly staccato
音阶是连的，其他地方大都是断
20th
Texture 织体