学校代码：10072 学位类型：学术型学号：201501007
TIANJIN CONSERV ATORY OF MUSIC
硕士学位论文
MASTER'S DISSERTATION
——川剧名家沈铁梅的表演艺术
Title：The Artistic Analysis of Famous Sichuan Opera Player Shen Tiemei
——Taking "Gold" in Sichuan Opera as an Example 论文作者：朱盛岚
指导教师：钱国桢
学科专业：音乐与舞蹈学
研究方向：中国传统音乐
池城资料答辩时间： 2018年5月22日
定稿时间：2018年6月5日
摘要
川剧历史悠久，起源于唐代，发展于明清，成熟于近代。是一种流行于川渝地区的戏曲剧种，俗称川戏。由昆腔、高腔、胡琴腔、弹戏、灯调五种声腔组成，其中以高腔的声腔剧种最丰富、艺术刻画最为精妙。沈铁梅作为“三度梅”摘得者，不仅在表演艺术方面有很高造诣，而且对川剧的传承与创新也作出较大供献。在她的带领下，重庆市川剧院根据曹禺话剧《原野》改编了一部川剧高腔的现代戏——《金子》，她本人更是亲自出演剧中女主金子一角。《金子》这出戏自上演以来，在国内外演出了300余场，被作为首届国家舞台艺术十大精品剧目之一，获奖颇多。
本文以川剧高腔《金子》作为切入点，并以剧本的音乐分析为基础，来深入分析沈铁梅的表演艺术。本文分为四章：第一章分为三个部分，分别从川剧高腔的历史源流、地理环境、音乐特点三个方面来阐述川剧高腔艺术的特点；第二章主要论述川剧《金子》与话剧《原野》在故事内容和舞台表现方法上的差异性；第三章分为两部分，主要用图表量化式的方法来详细分析《金子》的音乐语言；第四章全方位论述沈铁梅的表演艺术风格。笔者希望通过本论文的分析，为以后的戏曲创作者和表演者提供一些现代戏曲创作和表演艺术方面的新思路。
关键词：川剧川剧高腔沈铁梅《金子》艺术风格
Abstract
Sichuan Opera has a long history, originated in Tang Dynasty, developed in Ming and Qing dynasties, and matured in modern times. It is a kind of popular local opera in Sichuan and Chongqing, and commonly known as Sichuan Opera. which is composed of Kun Opera, Gao Tune, Hu Qin Tune, Tan Opera and Lantern tune. Among the five kinds of tunes of Sichuan Opera, the high-pitched ones are the most abundant and the most artistic portrayals. As the "three plum" winner,Shen Tiemei has extraordinary attainments in performing arts in Sichuan opera.In the aspect of inheritance and innovation of Sichuan opera, Shen Tiemei has also been acting for it herself. U nder her leadership, based on Cao Yu’s drama "the Wild Land" Chongqing SiChuan Opera Theatre adapted a Sichuan opera high-pitched modern play-"Gold". She herself also played the role of the actress gold..Since the performance of the play, "Gold" had more than 300 performances at home and abroad and was regarded as one of the top ten fine plays of the first national stage art and a number of other awards.下个路口见mv
独奏吉他谱this article takes "Gold" of Sichuan opera as the breakthrough point to analyze Shen Tiemei's performing art in depth based on the musical analysis of the script, This article is divided into four Chapters. Chapter 1is divided into three parts, respectively from the historical origin of Sichuan opera, geographical environment and music characteristics to explain the characteristics of the high t
une of Sichuan opera art. Chapter 2 is divided into three parts. It mainly discusses the difference between "Gold" and the drama "the Wild Land" from the story content and the stage display. Chapter 3 is divided into two parts by mainly using the method of chart quantification to analyze the musical language of "Gold" in detail. Chapter 4 discusses Shen Tiemei's artistic style in all directions. Through the analysis of this paper, the author hopes to provide some new ideas on modern opera and performing arts creation for opera creators and future performers.
666音乐网Keywords:Sichuan Opera High Tune Shen Tiemei Gold Artistic Style
目录
绪论 (1)
第一章川剧高腔概述 (5)
第一节川剧高腔的历史源流 (5)
第二节川剧高腔所处的地理环境 (6)
第三节川剧高腔的音乐特点 (6)
第二章川剧高腔《金子》与话剧《原野》的对比分析 (9)
第一节川剧高腔《金子》的创作背景 (9)
第二节话剧《原野》的主要内容 (9)
第三节川剧高腔《金子》与话剧《原野》的差异性分析 (10)
一、表现内容的差异性 (10)
1、故事主角的转换 (10)
2、剧中配角的重新诠释 (12)
3、剧本的川化 (13)
二、舞台表现方法的差异性 (14)你呢 袁娅维
第三章川剧高腔《金子》的作品分析 (15)
第一节文学分析 (15)
一、川剧高腔《金子》剧情介绍 (15)
二、人物构成 (15)
三、场次分析 (16)
四、故事中强烈的“反封建”思想 (17)
玫瑰与小鹿第二节《金子》第三场《当天晚上，焦家老屋》音乐分析 (18)
一、曲牌及唱腔结构分析 (18)
1、焦大星唱段《减不去重重心思焦》 (19)
2、仇虎、金子唱段《当年风雨同过舟》 (21)
3、金子唱段《生生死死长相随》 (23)
4、金子、焦母、仇虎、大星唱段《老屋朽，秋雨漏》 (33)
二、帮腔伴奏分析 (38)
1、帮腔的重要作用 (38)
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